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Storyteller: A Tanith Lee Tribute Anthology

Out in ebook and paperback on July 1. My story is "Data Ghost"

https://bookshop.org/p/books/storyteller-a-tanith-lee-tribute-anthology/a74b320486117220?ean=9798992595406&next=t

https://www.kobo.com/us/en/ebook/storyteller-a-tanith-lee-tribute-anthology?sId=e0bafab6-32a8-4ffb-9436-2dcda473349c

Edited by Julie C. Day, Carina Bissett, and Craig Laurance Gidney. Stories by Martha Wells, Andy Duncan, C.S.E. Cooney, Nisi Shawl, Mike Allen, Alaya Dawn Johnson, CL Hellisen, Maya Deane, Rocío Rincón Fernández, Theodora Goss, Getty Hesse, Starlene Justice, Amelia Mangan, Michael Yuya Montroy, Marisca Pichette, KT Wagner.

Sixteen new stories from some of today's most renowned authors. All inspired by the master storyteller Tanith Lee.

Drowning cities and unicorns. Burning deserts and forgotten gods. Golems, elf warriors, and inner-Earthers. Alien lifeforms and museum workers. Ancient plagues and the future of humanity. The familiar and the fantastical. Each story in this anthology is both unique and compelling: from fairy-tale retellings to romance-tinged high fantasy, from nihilistic horror to gripping science fiction. Immersive, wide-ranging, and sublime, Storyteller features worlds and characters that are sure to travel with you long after the last page has been read.


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Short Story: "Rapport: Friendship, Solidarity, Communion, Empathy" by Martha Wells

will be available on Reactor Magazine on July 10

Illustrated by Jaime Jones
Edited by Lee Harris

Perihelion and its crew embark on a dangerous new mission at a corporate-controlled station in the throes of a hostile takeover...


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Summer of Science Fiction & Fantasy: Martha Wells in conversation with Kate Elliott

https://www.clarionwest.org/event/summer-of-science-fiction-fantasy-martha-wells-in-conversation-with-kate-elliott/


July 30 @ 6:00 pm – 7:30 pm PDT

The Clarion West Summer Reading Series will be held virtually and streamed live over Zoom during the Six-Week Workshop.

Join us for our final event, a conversation between Martha Wells and Kate Elliott!

This event will begin with a conversation between Martha and Kate. There will be time to take questions from the audience. Participants will be able to submit questions in the webinar.


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The New Yorker announced "Platform Decay" will be the next Murderbot novella. No word on publication date yet.


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Grimoire: A Grim Oak Press Anthology For Seattle Worldcon 2025

https://grimoakpress.com/products/grimoire-a-grim-oak-press-anthology-for-seattle-worldcon-2025

My story is a fantasy called "Birthright" which is reprint that's not currently available anywhere else.


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Queen Demon, the sequel to Witch King, second book of the Rising World, is up for preorder and will be released in ebook, audiobook, and hardcover on October 7.

From the breakout SFF superstar author of Murderbot comes the remarkable sequel to the USA Today and Sunday Times bestselling novel, Witch King. A fantasy of epic scope, Queen Demon is a story of power and friendship, of trust and betrayal, and of the families we choose.

Dahin believes he has clues to the location of the Hierarchs' Well, and the Witch King Kai, along with his companions Ziede and Tahren, knowing there's something he isn't telling them, travel with him to the rebuilt university of Ancartre, which may be dangerously close to finding the Well itself.

Can Kai stop the rise of a new Hierarch?

And can he trust his companions to do what's right?

Bookshop.org https://bookshop.org/p/books/queen-demon-martha-wells/21751501?ean=9781250826916

B&N https://www.barnesandnoble.com/w/queen-demon-martha-wells/1146167707?ean=9781250826916

Kobo https://www.kobo.com/us/en/ebook/queen-demon

Audiobook Libro.fm https://libro.fm/audiobooks/9781250291981-queen-demon

Bakka-Phoenix (indie bookstore in Canada): https://bakkaphoenixbooks.com/item/3Czr8TaWU9-_fwJ25ytSCw

In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni


Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”



ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni


Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!

* Interview with Sue Chan, the production designer:

https://filmstories.co.uk/news/murderbot-designing-a-future-world-that-doesnt-look-like-alien/

“I started out by taking the most ancient societies on each continent – Etruscans, Asian, European, and African cultures,” Chan tells us. “I looked at the most fundamental motifs and gathered them into a bible, then asked my team to imagine 100 generations from now, when the diaspora of Earth have chosen to live together in society. How would they evolve a unified set of symbols? A language that really honours where they came from.”

This informed the alphabet that can be seen in the decoration painted across the otherwise grey, corporate habitat the PresAux crew are leasing. At the same time, acknowledging how much of the crew is queer and polyamorous, the colours of the rainbow are also entwined into their decorations.

“All of that is mashed up but it has a fundamental logic to it,” says Chan.



* Interview with Akshay Khanna (Ratthi):

https://squaremile.com/style/akshay-khanna-murderbot-actor-interview/

I’m incredibly excited for people to watch Murderbot on Apple TV+. Sci-fi has been my favourite genre by a country mile forever, and being on a show like this has always been a career goal of mine. Frankly, I had too much fun filming that show, and getting paid to do it constantly felt like I was getting away with something on set.

And the show is just so good. I can confidently say it’s fantastic – and if you don’t like it, then I would gently tell you that it’s OK to be wrong sometimes.


* Interview with Sabrina Wu (Pin-Lee):

https://www.autostraddle.com/sabrina-wu-interview-murderbot/

And then once I got the role, I read the books and I was legit just blown away at how funny the books were. I just haven’t seen such a dry sarcastic sensibility with this kind of hero sci-fi stories. And then I also just really liked that it was in the tradition of I felt like Octavia Butler, where it’s like, “oh, this is a queer imagining of the future.” So I don’t know. I just thought it was a really sweet, funny, different world. I also, obviously every comedian who becomes an actor, their dream is to get to work on something with action to move beyond an It’s Always Sunny kind of comedy. I believe there was already an opportunity for me to be in a spaceship and shoot guns, and it just made me happy that it was genuinely funny source material.



* Video interview with Tattiawna Jones (Arada) and Tamara Podemski (Bharadwaj):

https://www.youtube.com/watch?v=NllgfEekw9s



* And a video interview with Noma Dumezweni (Mensah)

https://www.youtube.com/watch?v=_ZpigqUqZXQ



* and a video interview with Noma and David Dastmalchian (Gurathin)

https://www.youtube.com/watch?v=361cKOujISE



* And a video interview (with a transcript) with Alexander Skarsgard, Jack McBrayer, and Paul and Chris Weitz:

https://collider.com/murderbot-alexander-skarsgard-jack-mcbrayer-creators-paul-weitz-chris-weitz/


* And there is a profile of me in The New Yorker (!!)

https://www.newyorker.com/culture/persons-of-interest/do-androids-dream-of-anything-at-all


* ETA: In ‘Murderbot,’ an anxious scientist and an autonomous robot develop a workplace-trauma bond

https://www.latimes.com/entertainment-arts/tv/story/2025-06-13/murderbot-episode-6-alexander-skarsgard-noma-dumezweni


Leading a TV series is a first for Dumezweni, who has previously been cast in smaller roles. She wasn’t convinced by the initial pitch at first because sci-fi hasn’t traditionally had a lot of major roles for actors of color.

“Usually I’d come in and play the receptionist,” she says. “I love to watch sci-fi. But I wondered: Who am I going to be in this sci-fi world?”

However, once she learned more about the world and the character, the actor changed her mind.

“It was an absolute joy to discover that there was nothing that Chris and Paul had to change to make it representational,” Dumezweni says. “It’s lovely not to have to fight for people’s positions in the world based on their skin color.”



*
ETA: Wanted to add this one real quick from BlueSky:

Vestal Magazine: Noma Dumezweni -- Off Canvas

https://www.vestalmag.com/noma-dumezweni


Set in a near future where the line between machine and human is increasingly blurred, Murderbot explores themes of identity, autonomy, and what it truly means to be alive through the eyes of a self-aware security android. Adapted from Martha Wells’s beloved The Murderbot Diaries novels, the series blends gripping sci-fi action with sharp, witty humor. At the heart of the story is Noma Dumezweni’s portrayal of Dr. Ayda Mensah, the thoughtful leader of a pacifist civilization struggling to uphold her community’s ideals amid a universe dominated by corporate greed and political tensions. Noma brings to the role a grounded strength, embodying the delicate balance between idealism and pragmatism as her character wrestles with the burdens of leadership and moral compromise. The parallels between Noma and Ayda run deep: both choose to lead with heart, courage, and conviction. “Your head will try to talk you out of that feeling of expansion. It will tell you, ‘You can’t do this,’” Noma says. “Trust your body, trust your instinct. Your body knows the truth.” That instinct and bravery have guided her career, from becoming the first Black actress to portray Hermione Granger on stage, a landmark moment for representation in theater, to winning two Laurence Olivier Awards and becoming a beacon of inspiration for a new generation of actors. Like Ayda, Noma has forged a path not only of leadership, but of quiet, transformative power.

Lovely photos in this!